The Korean Cultural Centre in London (aka the KCCUK) gave Korean cinephiles a special treat in 2012 with the Year of 12 Directors: one Korean director for every month of the year, four screenings (most of them free) for each filmmaker, with a bonus for the final session: a Q&A event with the director of that month flown in straight from South Korea.
Now that the Year of 12 Directors is over, it’s time to reflect. Continue reading “Not Quite Final Thoughts on the Year of 12 Directors”
Seen at the ICA as part of the Pan-Asia Film Festival. A special Thank you! goes to the Coventry University East Asia Film Society (CUEAFS) for two free tickets.
Although I watch quite a lot of films, there are generally few shorts among them. I like to be entertained for an hour or two because it’s a length that allows a decent amount of development in a story and characters. When there is a film festival, it is for this reason that when I have to choose between seeing a feature film or multiple 5-, 10-, 20-minute clips, I’ll habitually always go for the former and leave the latter as an afterthought – as also happened when the Pan-Asia Film Festival rolled around. Then CUEAFS had a ticket competition for the HK Fresh Wave Shorts screening on Twitter and somehow I got lucky (and I didn’t even mean to… only retweeted to spread the news about the competition).
Continue reading “Review: 2012 Hong Kong Fresh Wave Shorts”
It’s the final month of the KCCUK‘s Year of 12 Directors (and, yes, it’s already more than half-gone-by). I don’t really want to believe it either, for one because it means 2012 is nearly over but also because what in the world will we be doing on Thursday evenings starting from January on? I’m hoping the KCCUK will still organise some film screenings, but I’m guessing it won’t be quite as many as this year.
As for December: It’s Lim Soon-rye (임순례, sometimes also romanised as Yim or even Im Soon-rye) who is the final director of the year, and she’s also the only woman in the line-up – a reflection of that female directors in South Korea are still rather limited in number.* Continue reading “K-Directors: Lim Soon-rye (임순례) Month at the KCCUK in December”
*Apologies for this post being only ready after the first screening took place!*
November may be filled with plenty of Korean cinema already – thanks to the London Korean Film Festival – but there is more film fare still, for the KCCUK‘s Year of 12 Directors is on the programme as well with Song Hae-seong (송해성) being the man of the month.
Continue reading “K-Directors: Song Hae-seong (송해성) Month at the KCCUK in November”
If you attended the screening for August director Lee Yoon-ki’s 사랑한다, 사랑하지 않는다 (Saranghanda, Saranghaji Anhneunda/Come Rain Come Shine, South Korea, 2011) on Thursday night, you will have already had a taster of the K-director of September: a trailer for Jeon Kyu-hwan’s 바라나시 (Varanasi aka From Seoul to Varanasi, South Korea, 2011) preceded the screening and gave a glimpse of what this coming month holds in store. Like myself, you might have been equally awestruck about how much emotion a completely dialogue-less trailer of 2:30 min evoked already, hinting at a craftsman who knows his game and promising a rewarding month ahead for London film fans. Continue reading “K-Directors: Jeon Kyu-hwan (전규환) Month at the KCCUK in September”