LKFF & K-Animation Season Review: 메밀 꽃 필 무렵, 운수좋은 날, 그리고 봄봄 (Memilggot Pil Mulyeob, Woonsoo Joheun Nal, Geurigo Bombom/The Road Called Life) and Some Reflections on the Slump in Korean Animation


Year: 2013
South Korea
Language: Korean
Director: Ahn Jae-hun, Han Hye-jin
Producer:  Lee Sang-Wook
Studio: Studio Meditation with a Pencil
Adaptation from: Yi Hyo-seok’s 메밀꽃 필 무렵 (Buckwheat Season); Kim Yu-jeong’s 그리고 봄봄 (Spring, Spring) and Hyeon Jin-geon’s 운수 좋은 날 (A Lucky Day)
Screenplay: Ahn Jae-hun
Art Direction: N/a
Animation Direction: N/a
Soundscore: N/a
Cast: Eom Sang-hyun, Jang Kwang, Ryoo Hyeon-kyeong, Park Young-jae, Lee Jong-hyeok, Jeon Hye-yeong, Kang Eun-tak
Runtime: 90 min
Distribution: N/a
Film’s official website: N/a


This film is part of the K-Animation Season at Otherwhere. Seen at the 9th London Korean Film Festival. Special thanks to the KCCUK for providing me with a press ticket.

In 2011 Ahn Jae-hun and Han Hye-jin released their first feature-length animation, 소중한 날의 꿈 (Soljonghang Naluiggoom/Green Days), after eleven years of hard work. While it failed spectacularly at the box office, the reviews were largely positive, adding yet another work to the recently more active list of Korean animations. With The Road Called Life the team returned to making shorts, offering up an omnibus of three parts (each around 30 minutes long), all adapted from well-known traditional Korean tales set in different eras (1920s, 1940s and 1960s respectively). Continue reading “LKFF & K-Animation Season Review: 메밀 꽃 필 무렵, 운수좋은 날, 그리고 봄봄 (Memilggot Pil Mulyeob, Woonsoo Joheun Nal, Geurigo Bombom/The Road Called Life) and Some Reflections on the Slump in Korean Animation”

LFF Review: 우리별 일호와 얼룩소 (Wooribyeol Ilhowa Eolrukso/Satellite Girl and Milk Cow)

satellite girl 2 Year: 2013
Country: South Korea
Language: Korean
Director: Jang Hyung-yoon (sometimes written Chang Hyung-yun)
Screenplay: Jang Hyung-yoon
Art Direction: N/A
Animation Direction:
Soundscore: Black Magic
Cast: Yeong Yu-mi, Yoo Ah-in, Lee Don-yong, Hwang Seok-jeong
Runtime: 81 min
Distribution: Indiestory Inc.
Film’s official website: (in Korean)

Seen at the 2014 London Film Festival. This review is part of the K-Animation Season on Otherwhere. Other than two festival screenings, the film has not been released in the UK although it will be shown at the Leeds International Film Festival on November 7 and 10, 2014. A Region A Blu-ray disc with English subtitles is however available from

It rather seems that every year there is yet one or another Korean director that we have barely or not at all heard from before that has his/her feature-length animation debut, only then to seemingly disappear forever again. This year (well, last year, if you want to be technical) it is Jang Hyung-yoon that brings an animated tale alive on our screens for the first time.

Continue reading “LFF Review: 우리별 일호와 얼룩소 (Wooribyeol Ilhowa Eolrukso/Satellite Girl and Milk Cow)”

Eastern Kicks Asks: "The Film that Started It All"

crouching tiger
Childhood memories & global success story: Crouching Tiger, Hidden Dragon.

Recently Andrew Heskins of Eastern Kicks asked a number of critics, film bloggers and friends about “the film that started it all” – i.e. their passion for Asian cinema:

It might not have been the first Asian film you saw, or even the best, but was there one that stood out? That light bulb moment when you realised how much you loved Asian movies and had to write/talk/blog/podcast about it?

Continue reading “Eastern Kicks Asks: "The Film that Started It All"”

Where Marnie Was

marnie windmill
The story of When Marnie Was There is set in a little town by the name of Little Overton, a fictional town inspired by a real place – Burnham Overy Staithe on the Norfolk coast. Although Studio Ghibli announced that this setting was going to be changed to a village in Hokkaido in their adaptation, some friends and I still wanted to seek out Marnie’s original home base – just because we are dedicated enough Ghibli fans and because it is more fun to explore the UK by traveling to random places instead of completing the usual checklist of famous sights for foreigners. Continue reading “Where Marnie Was”

Review:「風立ちぬ」(Kaze Tachinu/The Wind Rises)

kaze 28
Year: 2013
Language: Japanese, some German and Italian
Director: Miyazaki Hayao
Studio Ghibli
Screenplay: Miyazaki Hayao
Art Direction: Takeshige Youji
Animation Direction:
Kousaka Kitaro
Soundscore: Hisaishi Joe
Theme Song: 
ひこうき雲 (“Hikōki Gumo”/”Contrail”) by Yumi Matsutoya
Cast: Anno Hideaki, Takimoto Miori, Nishijima Hidetoshi, Nishimura Masahiko, Steve Alpert, Kazama Morio, Takeshita Keiko, Shida Mirai, Kunimura Jun, Otake Shinobu, Mansai Nomura
Runtime: 126 min
Distribution: Studio Canal (UK)
Film’s official website: (日本語),

Special thanks to Studio Canal for an invite to a press screening of Kaze Tachinu prior to its UK release. I also attended the BFI Preview Screening of the film on April 23. Both screenings were subtitled, I have not seen (nor do I intend to) the dubbed version. The film is now showing in select UK cinemas (from May 9, 2014). 
Kaze Tachinu, Miyazaki Hayao’s apparent swan song, comes with a certain kind of echo of「長州ファイブ」(Chōshū faibu/Chosyu Five)in which a group of young, ambitious men – who later become the founding fathers of modern Japan – seek technological knowledge and progress abroad but soon realise that they, and their nation, are years and years behind. Like these men, Horikoshi Jiro (Anno Hideaki), the hero of Miyazaki’s film, desires to know and create for the sake of knowing and creating, although, several decades on from the Choysu Five, he now envies the Germans, not the English, for their advanced know-how. Continue reading “Review:「風立ちぬ」(Kaze Tachinu/The Wind Rises)”