Review:「桐島、部活やめるってよ」(Kirishima, Bukatsu Yamerutteyo/The Kirishima Thing)

kirishima 4

Year: 2012
Country:
Japan
Language: Japanese
Director: Yoshida Daihachi
Studio:
NTV, Showgate
Adaptation from:
Asai Ryo’s 2010 novel of the same title
Screenplay: Kiyasu Kohei, Yoshida Daihachi
Cinematography: Kondo Ryoto
Soundscore: Kondo Tatsuro
Cast: Kamiki Ryunosuke, Hashimoto Ai, Higashide Masahiro, Ohgo Suzuka, Shimiza Kurumi, Yamamoto Kizuki, Matsuoka Mayu, Ochiai Motoki, Maeno Tomoya, Kurihara Goro & others
Runtime: 103 min
Distribution: Showgate
Film’s official website: http://www.kirishima-movie.com/index.html
Twitter: @kirishima_movie

Trailer: 

Kirishima, the titular hero of the Japan Academy’s Best Picture of the Year, is rather like Godot: although everyone is waiting for him to appear, he never actually shows up. Different from Godot, however, we can be fairly certain that the character – a teenage boy and star athlete at his school – does exist, it’s just that he seems to have literally vanished off the face of the earth after suddenly quitting the volleyball team he previously captained. His resignation is, for a long time, pretty much the most eventful thing that happens in this tale, but takes place not just off-screen but also before the narrative begins, the film itself concerning itself only with the aftermath of the event.

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K-Animation Review: 돼지의 왕 (Daegieui wang/The King of Pigs)

King of pigs

Year: 2011
Country: South Korea
Language: Korean
Director: Yeun Sang-Ho
Studio: 
Studio Dadashow, KT&G Sangsangmadang
Screenplay: Yeun Sang-Ho
Art Direction: N/A
Animation Direction: N/A
Soundscore: Eom Been
Voice Cast: Yang Ik-joon, Oh Jung-se, Kim Hye-na, Kim Kkobbi, Park Hee-von
Runtime: 97 min
Distribution:
Terracotta (UK)
Trailer (subtitled):

Seen at the Terracotta on Tour screening at the Genesis Cinema thanks to winning tickets from Eastern Kicks. Special thanks also go to the Korean Film Council, which provided me with online access to the film. The King of Pigs will screen in London on March 8, 2013 as part of the Pan-Asia Film Festival and will be released on DVD by Terracotta on March 11, 2013.

This review is part of the K-Animation Season on Otherwhere.

Dark Themes:
Dark themes in Hakkyo 2013: Best enemies (top row); parental neglect & abuse (bottom left); driven to suicide (bottom right).

학교 2013 (Hakkyo 2013/School 2013, South Korea, 2013), a television drama that recently aired on KBS2, explores the life and struggles of high school students on a number of levels, tackling issues such as the pressure of academic achievement, strained relationships with parents and suicide, but also the hierarchical structures of classrooms and bullying, breaking with the silence that still surrounds many of these problems in Korean society. Hakkyo 2013 deserves praise for the candid as well as sensitive portrayal of these issues, but it does not go all the way, for although the picture it presents is surprisingly dark, it is not one entirely without hope. Indeed, as television productions face the judgment of a media regulation agency and weekly viewing figures from an audience that remains hesitant about open conversations on such issues, it is left to a few, audacious films to play out the worst scenarios imaginable until the very end. One of these films – in animated form – is 돼지의 왕 (Daegieui wang/The King of Pigs, 2011).

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Review: 「愛と誠」 (Ai to Makoto/For Love’s Sake)

Alternative English Title: The Legend of Love and Sincerity
Year: 2012
Country: Japan
Language: Japanese
Director: Miike Takashi
Adaptation from:
Kajiwara Ikki’s manga「愛と誠」(Ai to Makoto, 1973-1976)
Screenplay: Takuma Takayuki
Cinematography: Kita Nobuyasu
Soundscore: Kobayashi Takeshi
Cast: Tsumabuki Satoshi, Takei Emi, Saito Takumi, Ono Ito, Andō Sakura, Ihara Tsuyoshi, Yo Kimiko
Runtime: 134 min
Film’s official website: aiandmakoto.jp (in Japanese)

Trailer:

Seen at the film’s UK premiere at the 56th London International Film Festival.
Update: The film will have a UK home media release via Third Window Films on June 10, 2013.

Back in the 70s Kajiwara Ikki wrote, in manga form, the story of Ai to Makoto (literally Ai and Makoto, names which also mean ‘love’ and ‘sincerity’), two teenagers on very different rungs of the social ladder whose paths fatefully cross. Angelic Ai inhabits the strata of the upper class, coming from a wealthy family that has sheltered her from all the hardships that exist in life. Makoto, meanwhile, is at the very bottom of the hierarchy: abandoned by his father and mother, he survives as a fist-fighting delinquent in the lowest echelons of Tokyo. It’s probably not the most original of stories – a modern-day Romeo and Juliet tale – but Kajiwara’s manga, which originally ran from 1973 to 1976 in the Weekly Shōnen Magazine (Kodansha), was almost immediately adapted to a dorama (1974) and to three films (1974, 1975 and 1976). More than forty-years on cult-director Miike Takashi (「クローズZERO」/Kurōzu Zero/Crows Zero, 2007; 「十三人の刺客」/Jûsan-nin no shikaku/Thirteen Assassins, 2010) dug the story out again and made it into…. well, that’s the question. Continue reading “Review: 「愛と誠」 (Ai to Makoto/For Love’s Sake)”

Review: 「ライアーゲーム -再生-」 (Raia Gemu – Saisei /Liar Game – Reborn)


Year: 2012
Country: 
Japan
Language: Japanese
Director: Matsuyama Hiroaki
Adaptation from:
Shinobu Kaitani’s manga「ライアーゲーム」(Raia Gemu/Liar Game)
Screenplay: not credited
Cinematography: Miyata Nobu
Soundscore: not credited
Cast: Matsuda Shota, Tabe Mikako
Runtime: 131 min
Trailer: on YouTube
Film’s official website: in Japanese only
Seen on a British Airways flight from London to New Delhi (August 2012). The theatrical and/or DVD versions may differ slightly.
As you might guess from a title like Raia Gemu – Saisei, there is a lot that precedes this film. It all starts with a manga,「ライアーゲーム」(Raia Gemu/Liar Game, 2005 – ongoing), which went on to inspire two seasons of a TV drama (2007, 2009), a first film (「ライアーゲーム ザ・ファイナルステージ」/Raia Gemu za Fainaru Suteji/Liar Game – The Final Stage, 2010), a spin-off drama series  「アリス イン ライアーゲーム」 (Arisu in Raiagemu/Alice in Liar Game, 2012) and of course Raia Gemu – Saisei itself. Continue reading “Review: 「ライアーゲーム -再生-」 (Raia Gemu – Saisei /Liar Game – Reborn)”

Review and Reflections: ヒミズ (Himizu/Himizu) as Manga and Film Adaptation

Year: 2011
Country: Japan
Language: Japanese
Director: Sono Sion
Screenplay: Sono Sion
Original Manga:
Furuya Minoru
Cinematography: Tanikawa Sohei
Cast: Sometani Shōta, Nikaidō Fumi, Watanabe Tetsu, Denden, Murakami Jun, Watanabe Makiko, Mitsuishi Ken, Fukikoshi Mitsuru, Kagurazaka Megumi, Kurosawa Asuka, Suwa Taro, Kubozuka Yosuke, Horibe Keisuke, Nishijima Takahiro
Runtime: 129 min
Trailer: on YouTube
Official Website: Himizu (in Japanese)
Seen at the film’s European premiere at the Terracotta Far East Film Festival in London. Himizu screens on the British Isles from June 1st. See for details below.
Note: Manga images included read right to left
When Furuya Minora first published ヒミズ (Himizu) in 2001, many fans were bitterly disappointed. Up until then Furuya had established his name as a comedy manga artist, starting with 行け!稲中卓球部 (Ike! Inachū takkyū-bu/Ping-Pong Club, original run from 1993-1996) which was so successful that it “set the standard for comedy manga” (wikipedia). Ike! Inachū takkyū-bu was followed by 僕といっしょ (Boku to Issho/Together with Me, 1998) and グリーンヒル (Gurīnhiru/ Green Hill, 2000), which both did reflect on difficulties of life in an increasingly capitalist society, but still packed this into comedic storylines. Then came Himizu.
Continue reading “Review and Reflections: ヒミズ (Himizu/Himizu) as Manga and Film Adaptation”