LKFF & K-Animation Season Review: 메밀 꽃 필 무렵, 운수좋은 날, 그리고 봄봄 (Memilggot Pil Mulyeob, Woonsoo Joheun Nal, Geurigo Bombom/The Road Called Life) and Some Reflections on the Slump in Korean Animation

RCL 1

Year: 2013
Country:
South Korea
Language: Korean
Director: Ahn Jae-hun, Han Hye-jin
Producer:  Lee Sang-Wook
Studio: Studio Meditation with a Pencil
Adaptation from: Yi Hyo-seok’s 메밀꽃 필 무렵 (Buckwheat Season); Kim Yu-jeong’s 그리고 봄봄 (Spring, Spring) and Hyeon Jin-geon’s 운수 좋은 날 (A Lucky Day)
Screenplay: Ahn Jae-hun
Art Direction: N/a
Animation Direction: N/a
Soundscore: N/a
Cast: Eom Sang-hyun, Jang Kwang, Ryoo Hyeon-kyeong, Park Young-jae, Lee Jong-hyeok, Jeon Hye-yeong, Kang Eun-tak
Runtime: 90 min
Distribution: N/a
Film’s official website: N/a

Trailer:

This film is part of the K-Animation Season at Otherwhere. Seen at the 9th London Korean Film Festival. Special thanks to the KCCUK for providing me with a press ticket.

In 2011 Ahn Jae-hun and Han Hye-jin released their first feature-length animation, 소중한 날의 꿈 (Soljonghang Naluiggoom/Green Days), after eleven years of hard work. While it failed spectacularly at the box office, the reviews were largely positive, adding yet another work to the recently more active list of Korean animations. With The Road Called Life the team returned to making shorts, offering up an omnibus of three parts (each around 30 minutes long), all adapted from well-known traditional Korean tales set in different eras (1920s, 1940s and 1960s respectively). Continue reading “LKFF & K-Animation Season Review: 메밀 꽃 필 무렵, 운수좋은 날, 그리고 봄봄 (Memilggot Pil Mulyeob, Woonsoo Joheun Nal, Geurigo Bombom/The Road Called Life) and Some Reflections on the Slump in Korean Animation”

LKFF Group Interview with Ahn Sung-ki and Q&A Photos from 화장 (Hwayang/Revivre) Closing Night Gala

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This interview was originally posted on Hangul Celluloid and is republished here with permission (Note: original Korean film titles have been added). All the hard work of transcribing the interview was done by Hangul Celluloid. The photos (from the interview and the Closing Night Gala Q&A) are my own. Special thanks to the KCCUK for organising this interview. Continue reading “LKFF Group Interview with Ahn Sung-ki and Q&A Photos from 화장 (Hwayang/Revivre) Closing Night Gala”

LKFF Mini-Review: 킬러앞에 노인 (Killeoapenoin/The Killer behind the Old Man) & Jung Woo-sung Photos

killer behind the old man

Year: 2014
Country:
Hong Kong
Language: Korean
Director: Jung Woo-sung (정우성)
Studio:
commissioned by Hong Kong International Film Festival (omnibus)
Screenplay: Yoon Jung Lee
Cinematography: N/a
Soundscore: Mowg
Cast: Andy Choi, Woo Sang-jeon, Yoo In-yeong
Runtime: N/a
Distribution: HKIFF
Film’s official website: N/a

Trailer: Not available

Seen at the 9th London Korean Film Festival. Special thanks go to the LKFF organisers for providing me with a press ticket.

Screening together with the feature 감시자들 (Gamshijadeul/Cold Eyes, 2013) at the 9th London Korean Film Festival,  킬러앞에 노인 (Killeoapenoin/The Killer Behind, the Old Man) is the directorial debut of Jung Woo-sung. A short originally part of the omnibus Three Charmed Lives – three works directed by individuals better known for their work in front rather than behind the camera – it comes commissioned by Fushan Features and the Hong Kong International Film Festival. Continue reading “LKFF Mini-Review: 킬러앞에 노인 (Killeoapenoin/The Killer behind the Old Man) & Jung Woo-sung Photos”

Review:「黒い四角」(Kuroi shikaku/The Black Square)

The Black Square
Alternative title (Chinese): 黒四角
Year: 2012
Country: China/Japan
Language: Mandarin, some Japanese
Director: Okuhara Hiroshi
Studio: Black Square Film
Screenplay: Okuhara Hiroshi
Cinematography: Maki Kenji
Soundscore: Sangatsu
Cast: Nakaizumi Hideo, Hong Dan, Xixu Chen, Suzuki Miki
Runtime: 144 min
Distribution: N/a
Film’s official website:  N/a
Trailer:

http://www.youtube.com/watch?v=XnvtcEW_MXg
Special thanks to Raindance, which provided me with a preview screener of this film. Kuroi shikaku showed at the 21st Raindance Film Festival on September 28, 2013. I previously featured the film on Trailer Weekly #79/80.
When Japanese film director Okuhara Hiroshi travelled to Bejing in 2008 and visited the Song Zhuang Artist Village he spoke no Chinese. The place – the experience – seemed surreal to him, or, as he explained, “the whole atmosphere felt like science fiction, including the surroundings. I felt I could shoot a Tarkovsky-like movie in this place. […] That’s how it all began.” (quote) Continue reading “Review:「黒い四角」(Kuroi shikaku/The Black Square)”